Musings

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Touching and Inspiring Video - 6-Year-Old Boy with Cerebral Palsy Walks to His U.S. Marine Father for the First Time

And some inspiring Memorial Day Quotes

  • War is too serious a matter to entrust to military men. -Georges Clemenceau
  • Freedom of speech and freedom of action are meaningless without freedom to think. And there is no freedom of thought without doubt. -Bergen Evans
  • Extremism in the defense of liberty is no vice. Moderation in the pursuit of justice is no virtue. -Senator Barry Goldwater
  • Necessity is the plea for every infringement of human freedom. It is the argument of tyrants; it is the creed of slaves. -William Pitt
  • Chance has never yet satisfied the hope of a suffering people. Action, self-reliance, the vision of self and the future have been the only means by which the oppressed have seen and realized the light of their own freedom. -Marcus Garvey
  • In war, there is no prize for the runner-up. -General Omar Bradley
  • So long as there are men there will be wars. -Albert Einstein
  • I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones. -Albert Einstein
  • The cost of liberty is less than the cost of repression. -Web Dubois
  • The purpose of all war is ultimately peace. -Saint Augustine

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[Flash 10 is required to watch video]

Enjoy this clip of James Cagney as songwriter & performer George M Cohan receiving the Congessional Medal of Honor from President Roosevelt in the touching finale of Yankie Doodle Dandy and give thanks to all who served “Over There.”

Memorial Day was officially proclaimed on 5 May 1868 by General John Logan, national commander of the Grand Army of the Republic, in his General Order No. 11, and was first observed on 30 May 1868, when flowers were placed on the graves of Union and Confederate soldiers at Arlington National Cemetery.

The first state to officially recognize the holiday was New York in 1873. By 1890 it was recognized by all of the northern states. The South refused to acknowledge the day, honoring their dead on separate days until after World War I (when the holiday changed from honoring just those who died fighting in the Civil War to honoring Americans who died fighting in any war).

It is now celebrated in almost every State on the last Monday in May (passed by Congress with the National Holiday Act of 1971 (P.L. 90 – 363) to ensure a three day weekend for Federal holidays), though several southern states have an additional separate day for honoring the Confederate war dead: January 19 in Texas, April 26 in Alabama, Florida, Georgia, and Mississippi; May 10 in South Carolina; and June 3 (Jefferson Davis’ birthday) in Louisiana and Tennessee.

In 1915, inspired by the poem “In Flanders Fields,” Moina Michael replied with her own poem: We cherish too, the Poppy red That grows on fields where valor led, It seems to signal to the skies That blood of heroes never dies. She then conceived of an idea to wear red poppies on Memorial day in honor of those who died serving the nation during war. She was the first to wear one, and sold poppies to her friends and co-workers with the money going to benefit servicemen in need.

Later a Madam Guerin from France was visiting the United States and learned of this new custom started by Ms.Michael and when she returned to France, made artificial red poppies to raise money for war orphaned children and widowed women. This tradition spread to other countries. In 1921, the Franco-American Children’s League sold poppies nationally to benefit war orphans of France and Belgium. The League disbanded a year later and Madam Guerin approached the VFW for help.

Shortly before Memorial Day in 1922 the VFW became the first veterans’ organization to nationally sell poppies. Two years later their “Buddy” Poppy program was selling artificial poppies made by disabled veterans. In 1948 the US Post Office honored Ms Michael for her role in founding the National Poppy movement by issuing a red 3 cent postage stamp with her likeness on it.

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The Forgotten Art of Toe Tapping

The video above shows just how uniue and difficult toe tapping is

When most people hear the term “toe dancing,” it brings to mind the anglicized term used to describe what most advanced students or professional ballet dancers, whether male or female, have done at one time or another- dance en pointe

If we turn back the pages of history, “toe dancing” was the term used to describe a specialized act performed using some sort of blocked shoe.

Up until the 20th century, most dancers only had the opportunity to work professionally on the popular stages of the time—music halls, burlesque, and vaudeville. Vaudeville shoes most often featured comic and character dance sketches, adagio teams, ballroom dancers, skirt dancing, interpretive dance, ethnic style dances, tap, and toe dancing.

Barbara Stratyner’s “Ned Wayburn and the Dancing Routine: From Vaudeville the ‘Ziegfield Follies’ ” depicts some of the ways toe-dancing was incorporated into choreography for popular theatre. A favorite example are the pique turns and pendulum kicks Bessie Clayton performed down a staircase in “The Passing Show of 1913.” Toe-dancing would not evolve into ballet since it was a sub-category; as ballet made its way in popular entertainment the term was “upscaled” to “pointe.”

After the popularity of toe-dancing gained its “foothold,” it was only natural that in the world of vaudeville, someone was about to raise the stakes. Toe-tapping, dancing en pointe with taps attached to the platform of the shoe, was born.

The stars of this art form were Harriet Hoctor and Marylin Miller. Harriet Hoctor, better known as “America’s Most Cleverest Ballerina,” was a Broadway favorite in the 1920’s and 1930’s. She stunned audiences at the Hippodrome in London by tapping up and down an escalator en pointe in shoes supported by steel shanks.

Other tricks performed by Hoctor include executing a backbend while doing bourees en pointe, zipping through a circle of pique turns at breakneck speek, and tapping out the meter to Edgar Allen Poe’s “The Raven” with the taps on the ends of her shoes.

Marylin Miller made her fame in vaudeville with her family’s act called “the Five Colombians.” Aat the age of 22, she was the first “star dancer” to be in movies such as 1929’s “Sally.” She was considered one of the best toe and tap dancers.

Other revue dancers, such as Helen Brown, wore steel reinforcements to enable them to perform the Charleston on pointe.ncers of her time.

In this “eccentric” pointe tradition, Gloria Gilbert used ball bearings in the platform of her shoes to allow her to turn at a dizzying rate while she performed backbends. “Toe-tap” became a national craze with entrants at local amateur nights performing such routines as tapping on toe and playing the trumpet at the same time.

These days toe tap is primarily seen on stage as a novelty act. Talent shows, dance recitals and nightclub events may showcase toe tappers, but it is generally not taken very seriously in the dance field. But Toe tapping should be considered a very difficult and demanding art form. We must applaud those daring and talented forerunners in the history of pointe technique in the 20th century for literally risking their limbs for their art.

Sources:

Stratyner, Barbara. “Ned Wayburn and the Dance Routine:From Vaudeville to the ‘Ziegfield Follies’ ” Studio In Dance History, No. 13
http://www.streetswing.com
Janice Barringer and Sarah Schlesinger: The Pointe Book

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Via  Big Dogs Have Big Hearts
Rin Tin Tin: A Legend Born from Humble Beginnings
On September 15, 1918, a World War I Army patrol was cautiously searching through the rubble of a bombed out kennel at a German airfield in France when Lee Duncan, a 29-year-old U.S. pilot, spotted a German Shepherd mother with five puppies huddled in a trench. It was a moment that would change his life — and those of countless others.
The patrol adopted the dogs, with Duncan taking a male and female puppy. He named them Rin Tin Tin and Nanette after the tiny French puppets given to soldiers for luck, and he became very interested in training them. Duncan was excited to bring his dogs home with him after the war, but unfortunately, Nanette died of distemper before reaching Los Angeles.Once home, Duncan poured his efforts into Rin Tin Tin, or Rinty, as he called him. One day in 1922 he entered Rinty in a dog show, which he lost, and a jumping contest, which he won (with a jump of nearly 12 feet). The jumping event happened to be filmed, giving rise to a short career for Rinty doing stunts for film shorts. It also gave rise to Duncan’s idea that Rinty could star in a feature film. Duncan optimistically wrote a script for a feature-length film starring Rinty, but studio after studio rejected it.
Rin Tin Tin: The Big Break
Finally scraping the bottom of the studio barrel, Duncan came across an exasperated film crew that had spent several unsuccessful days trying to film an outdoor scene with a wolf. Duncan boasted his dog could do the scene in one take. The studio told him to go away, and take his dog and his script with him. Duncan kept pestering them, and they finally agreed to go ahead and try it. Twenty minutes later, the scene was a wrap and Rinty had a contract to finish the movie. Man From Hell’s River was a hit with audiences, and Rinty was immediately signed for another, then another movie, playing one heroic role after another.
Rin Tin Tin made 26 movies for Warner Brothers, and at his peak received 10,000 fan letters and $6,000 a week. Warner Brothers called him “the mortgage lifter” and credited him with saving the studio from bankruptcy.
They in turn maintained a kennel of 18 canine stand-ins so Rinty would not have to deal with the more mundane aspects of film making. The studio provided a private chef who prepared him tenderloin steak every day, which he ate as classical music played. Audiences loved him, but co-stars reported he would bite!
Despite all that Rinty had done for them, in 1929 the studio considered dismissing him, reasoning the new talkies would make a dog, who couldn’t talk, obsolete. Rinty proved them wrong, being just as popular in the so-called “barkies” as he’d ever been. It shouldn’t have been any surprise — after all, Rinty even had his own radio show, aptly named “The Wonder Dog.”
The Death of Rin Tin Tin
Rin Tin Tin was still filming at almost age 14, when one morning at home he suddenly couldn’t walk. He died in the arms of Jean Harlow, who lived across the street from Duncan and Rinty in Beverly Hills, and had rushed over at Duncan’s call. He was returned to his birthplace in France, where he is buried in “The Cimetiere des Chiens (et Autres Animaux Exotiques)” in the suburb of Asnieres.
The Legacy of Rin Tin Tin
Rin Tin Tin left behind a legacy of descendants who starred in movies and television for decades. He popularized the German Shepherd breed and encouraged dog owners to train their dogs. His descendants can still be found in homes and working situations.
One descendant even searched the Pentagon after 9-11. A Rinty For Kids (ARF Kids) provides Rinty descendents as pet-assisted therapy dogs for special needs children, and the Rin Tin Tin Canine Ambassador Club provides educational material about dogs for children.

Via Big Dogs Have Big Hearts

Rin Tin Tin: A Legend Born from Humble Beginnings

On September 15, 1918, a World War I Army patrol was cautiously searching through the rubble of a bombed out kennel at a German airfield in France when Lee Duncan, a 29-year-old U.S. pilot, spotted a German Shepherd mother with five puppies huddled in a trench. It was a moment that would change his life — and those of countless others.

The patrol adopted the dogs, with Duncan taking a male and female puppy. He named them Rin Tin Tin and Nanette after the tiny French puppets given to soldiers for luck, and he became very interested in training them. Duncan was excited to bring his dogs home with him after the war, but unfortunately, Nanette died of distemper before reaching Los Angeles.

Once home, Duncan poured his efforts into Rin Tin Tin, or Rinty, as he called him. One day in 1922 he entered Rinty in a dog show, which he lost, and a jumping contest, which he won (with a jump of nearly 12 feet). The jumping event happened to be filmed, giving rise to a short career for Rinty doing stunts for film shorts. It also gave rise to Duncan’s idea that Rinty could star in a feature film. Duncan optimistically wrote a script for a feature-length film starring Rinty, but studio after studio rejected it.

Rin Tin Tin: The Big Break

Finally scraping the bottom of the studio barrel, Duncan came across an exasperated film crew that had spent several unsuccessful days trying to film an outdoor scene with a wolf. Duncan boasted his dog could do the scene in one take. The studio told him to go away, and take his dog and his script with him. Duncan kept pestering them, and they finally agreed to go ahead and try it. Twenty minutes later, the scene was a wrap and Rinty had a contract to finish the movie. Man From Hell’s River was a hit with audiences, and Rinty was immediately signed for another, then another movie, playing one heroic role after another.

Rin Tin Tin made 26 movies for Warner Brothers, and at his peak received 10,000 fan letters and $6,000 a week. Warner Brothers called him “the mortgage lifter” and credited him with saving the studio from bankruptcy.

They in turn maintained a kennel of 18 canine stand-ins so Rinty would not have to deal with the more mundane aspects of film making. The studio provided a private chef who prepared him tenderloin steak every day, which he ate as classical music played. Audiences loved him, but co-stars reported he would bite!

Despite all that Rinty had done for them, in 1929 the studio considered dismissing him, reasoning the new talkies would make a dog, who couldn’t talk, obsolete. Rinty proved them wrong, being just as popular in the so-called “barkies” as he’d ever been. It shouldn’t have been any surprise — after all, Rinty even had his own radio show, aptly named “The Wonder Dog.”

The Death of Rin Tin Tin

Rin Tin Tin was still filming at almost age 14, when one morning at home he suddenly couldn’t walk. He died in the arms of Jean Harlow, who lived across the street from Duncan and Rinty in Beverly Hills, and had rushed over at Duncan’s call. He was returned to his birthplace in France, where he is buried in “The Cimetiere des Chiens (et Autres Animaux Exotiques)” in the suburb of Asnieres.

The Legacy of Rin Tin Tin

Rin Tin Tin left behind a legacy of descendants who starred in movies and television for decades. He popularized the German Shepherd breed and encouraged dog owners to train their dogs. His descendants can still be found in homes and working situations.

One descendant even searched the Pentagon after 9-11. A Rinty For Kids (ARF Kids) provides Rinty descendents as pet-assisted therapy dogs for special needs children, and the Rin Tin Tin Canine Ambassador Club provides educational material about dogs for children.

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Above - The Hiltons’ performing a Tango and Waltz.

Internationally recognized as the world’s premiere dance couple, the UK’s Marcus and Karen Hilton have won virtually every major professional dance championship. They have been champions in the European, British, and U.S. Open, the U.K. Championships, the World and European professional 10 Dance, as well as World Professional Ballroom Segue Champions.

The Hiltons’ climb to the top of the dance world was accomplished the old- fashioned way. They earned it through hard work and practice, and by competing together In amateur events starting in 1978. Early on, while still in their teens, Marcus and Karen each achieved recognition in junior and amateur competitions. As a couple they won most of the local championships in the Latin American disciplines. During this period, they began traveling to many different countries to participate in dance events and to represent Great Britain.

in 1980, they took a big step forward by finishing In third place in the United Kingdom Open to the World Championships. This qualified them as the number two couple to represent England at the forthcoming World Amateur Latin American Championships in West Germany where they came in fifth. By 1981 they were finishing second in all major championships around the world. Their first major success was winning the World and European Amateur 10 Dance Championships in Norway and Belgium. By then, they were very much in demand to represent England in many different countries. Winning became a habit and the Hiltons took home a collection of expensive gifts and solid silver trophies. For the following two years Marcus and Karen held the global number one spot in the Amateur Latin American and 10 Dance.

The Hiltons turned professional in 1983 and immediately achieved success by making the finals in every major professional Latin American championship event. As professionals, their travel around the world increased, as well as their income, from demonstrations, teaching, lecturing and judging. Their first major professional ballroom success came in 1984 when they won the British Rising Star Championship.

In 1986, the Hiltons were married and celebrated shortly thereafter by winning the World and European Professional 10 Dance Championship. After finishing third at the World Ballroom Championships in Tokyo, Japan that year, the Hiltons’ rise in the professional ranks was meteoric. In 1989 they won the first ever World Professional Ballroom Segue Championship (a type of show dance competition) in Germany and also were awarded the BDF Award for the most outstanding professional ballroom couple in the world. In 1990 they won The British Open to the World Professional Ballroom Championship held in the famous Winter Gardens, Blackpool. To this day they continue to win major championships in professional events worldwide.

In 1997, the Marcus and Karen Hilton winning streak remained intact. They won the U.K. and British Open and the U.S. Open, German Open. and International Open Championships. But the highlight of the year, and possibly of their career, happened in June when they were appointed as Members of the Order of the British Empire (M.B.E.) in the Queen’s Birthday Honors list. In 1998, their success continued as they won the World Pro title for a record ninth time, the International and British Ballroom Championships for a record eighth time, and the British Championships.

In recent years, the Hiltons have used their fame arid achievements to benefit a number of worthy charities In their hometown of Rochdale, in the north of England. Having now retired they stopped demonstrating but they are very much in demand as teachers, lecturers and judges.

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From the moment he arrived at Metro-Goldwyn-Mayer, Gilbert Adrian established himself as a HollywFood fashion force. Believing that costume can mirror a character’s mood, he transformed his leading ladies into icons of style: Greta Garbo, Joan Crawford, Jean Harlow, and many others relied on Adrian to help them interpret their roles and make them glamorous.
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10 Fun, Informative Dance Books For Kids

Reading is a great way for children to learn about dance and also a constructive way to spend time. Here are ten entertaining and informative children’s books about dance from delightfulchildrensbooks.com

Dance by Bill Jones and Susan Kuklin. Captivating images of dancer Bill Jones introduce young children to modern dance. Dance can be used to encourage kids to move their bodies in new ways. Another great children’s book for introducing kids to modern dance is Pilobolus’s The Human Alphabet. Ages 1+

How Can You Dance? by Rick Walton and Ana Lopez-Escriva. This rhyming book encourages young children to dance like kangaroos, trees, foxes, and more. Ages 2+


Max by Rachel Isadora. A story about a boy, Max, who tries out his older sister’s ballet class and is won over. Max includes delightful Norman Rockwell-esque illustrations of Max and other kids dancing. Ages 2+

Tanya and Emily in a Dance for Two by Patricia Lee Gauch and Satomi Ichikawa. Tanya is an appealling character — a spunky girl who loves to dance. In Tanya and Emily in a Dance for Two, Tanya and Emily become friends and help each other become better dancers. If you enjoy this story, check out other stories about Tanya, including Tanya’s Red Shoes and Dance, Tanya. All portray dancing as challenging and fun. Ages 3+

Going To My Ballet Class by Susan Kuklin. A nice, straightforward introduction to ballet lessons for a young child heading to or dreaming of their first ballet class. While a few of the dancers’ hairstyles date the book, this is the best introduction to ballet lessons I have found. Ages 3+

Song and Dance Man by Karen Ackerman and Stephen Gammell. In Song and Dance Man, a former vaudeville performer performs for his grandchildren. Ages 3+


A Young Dancer: The Life of an Ailey Student by Valerie Gladstone and Jose Ivey. A behind-the-scenes look at the life of a student at the pristegeous Ailey School. A Young Dancer follows 13-year-old Iman Bright as she attends dance classes, goes to school, spends time with friends, and prepares for a year-end performance. Ages 5+

A Very Young Dancer by Jill Krementz. In the same vein as A Young Dancer, A Very Young Dancer provides a behind-the-scenes look at the life of a young student at a prestigious dance school — this time the School of American Ballet. In A Very Young Dancer, 10-year-old Stephanie is chosen to play the lead role of Mary in The Nutcracker. Two more good books for introducing kids to The Nutcracker are Lili on Stage by Rachel Isadora and George Balanchine’s The Nutcracker by Joel Meyerowitz. Ages 5+

Alvin Ailey by Andrea Davis Pinkney and Brian Pinkney. An autobiography of Alvin Ailey, an African-American choreographer who helped popularize modern dance. This autobiography describes Ailey’s early influences, training, creation of the Alvin Ailey Dance Company, and choreography of his most popular work Revelations. Ages 5+

Footwork: The Story of Fred and Adele Astaire by Roxane Orgill and Stephane Jorisch. An autobiography of Fred and Adele Astaire. Footwork describes the Astaires’ rise from their first vaudeville performance (dressed as a champagne glass and lobster) to their ultimate Broadway and film success. Beautiful illustrations! Ages 6+